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Recent Articles by Andy Beta

National Features >

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    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

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    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

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    By Robb Walsh

Ennio Morricone

Crime and Dissonance (Ipecac)

By Andy Beta

Published on December 21, 2005

The glossy booklet of stills from countless bizarre Italian films that accompanies this two-disc retrospective of Italian soundtrack composer Ennio Morricone only hints at the kaleidoscopic weirdness squirming beneath. With contributions to everything from Fistful of Dollars to Kill Bill (not to mention the 500 Italian titles in between), Morricone has penned themes from forgotten slasher flicks, silly soft-core, and family tales about Mama that reflect how the Maestro has also influenced noisemakers such as John Zorn and Mike Patton.

Morricone's scores can be by turns terrifying, whimsical, and poignant, often within a single interlude. There's no spaghetti-Western whistling here, but there are plenty of Sapphic moans, hallucinatory guitar flashbacks, bachelor shag music, and oddly metered jazz. "Corsa Sui Tetti" has all of the above, while "Forza G" alternates between the slinky and the tawdry. The epic title track from Un Uomo da Rispettare evokes a Miles Davis-Gil Evans processional juxtaposed with a zombie flick.