Recent Articles

Recent Articles by D.X. Ferris

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Roses Never Fade

Fade to Black (Rock Vegas Records)

By D.X. Ferris

Published on February 08, 2006

Roses Never Fade is the gloomy new ambient project from Integrity visionary Dwid. In his long and varied career, he's never sounded like this: Instead of screaming to the heavens in his trademark raspy bellow, he whispers, moans, and laments. Imagine a mixtape of unplugged cuts from Alice in Chains' Jar of Flies and scores from Ennio Morricone spaghetti westerns.

The guitar-heavy collaboration features Nick Brewer and Matt Shack of Painesville's Pale Creation, Thorsten Wilheim and Adami of German metalcore band Vegas, and vocals and keyboards from Stephanie VH of the Netherlands. With their help, Dwid makes more headway into his favorite dark places. This effort finds him staring into the abyss, waiting for answers, and cursing the silence. The fragile "Runaway" plays like an acoustic reworking of the Integrity classic "Eighteen," which liberally (and unforgettably) cribbed from Joy Division's haunting "New Dawn Fades." Songs like these are dark, and they really never do fade.

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