Recent Articles
Related Articles

Recent Articles By Matt Gorey

National Features

  • Phoenix New Times
    Canine Crusaders

    That drug-sniffing dog up ahead? He may not be your best friend.

    By Ray Stern
  • Broward-Palm Beach New Times
    The Muscle Men

    Thanks to a string of Florida "anti-aging clinics," baseball's steroid scandal isn't limited to superstars.

    By Michael J. Mooney
  • Miami New Times
    Picked On

    Farm workers earn nada in America's green-bean capital.

    By Janine Zeitlin
  • Village Voice
    "Why I'm No Longer a Brain-Dead Liberal"

    An election-season essay from one of America's greatest playwrights.

    By David Mamet

If nü metal kicked the bucket, word never reached Akron's Prism Theory. The quartet matches its chunky riffs with enough clean vocals and gorilla grunts to make a serious run at active rock radio. The band has shared stages with WMMS faves Three Days Grace and prog titans Planet X, and on its second disc, Unity for Insanity, Prism Theory mixes the styles of those headliners. While competent in crafting lowest-common-denominator hard rock, the band lacks the technique and creativity to fully realize its progressive ambitions.

Its attempts at technical bliss backfire, hamstrung by the fact that almost all the 15 tracks languish at mid-tempo. "Storm Shower" is composed of Meshuggah-type jazz, sans the velocity. Occasionally, singer Chris Imlay will interpolate a serviceable chorus before excessive wankery negates any momentum (see "Secret Identity"). For a band with schizoid vocals and keyboards, and a dearth of effects pedals, Prism Theory sounds surprisingly tame. The only color passing through this prism is gray.

Cleveland Scene Insiders

  • Local food, music and news blasts
  • Free Stuff