Recent Articles

Recent Articles by Tony Ware

  • Breaking the Seal

    Of Montreal and the Shins explore issues of approval.

  • The Black Lips

    With Be Your Own Pet and Plasma for Guns. Saturday, September 23, at the Beachland Tavern.

  • Forty and Going Strong

    Underground Garage tour members kept the fire alive.

  • Matt Herbert

    With the Summer of Cars. Tuesday, August 22, at the B-Side Liquor Lounge.

  • Venom

    With Devil Driver. Friday, August 18, at the Agora Theater.

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Phoenix

It's Never Been Like That (Astralwerks)

By Tony Ware

Published on August 02, 2006

The French are known not for the raw fury of their actions so much as the smooth operation of their passions. The Versailles quartet Phoenix maintains that impression, with a breathless, calculated spontaneity that feels as if it's evolving in real time even as it's rooted firmly in tradition.

Uniting Spoon's rhythmic insistence, the Strokes' mussy stride, and the sassy strum of Wham!, Phoenix makes songs that are more concerned with staying power than the joy of a quick tumble. No longer tethered merely to the filtered, steady beat, as on 2000's United, Phoenix confidently flits through songs of exultation and frustration while maintaining a succinct, immediate style. Neither the impeccable atmospherics of Air nor the sinister funk of other French contemporaries informs Phoenix's soft-focus malaise. Reverb remains the aesthetic antithesis, even in Phoenix's more verve-infused incarnation, but the parched production of 2004's Alphabetical has at least been given leave to breathe outside its concept.

From the ringing opening riff of "Napoleon Says" (as much of a clarion call as the group's likely to achieve), the band yearns and "churns" through many highlights -- "Consolation Prizes," "Long Distance Call," "One Time Too Many," and "Sometimes in the Fall" -- which, though emotionally lightweight, get by on irrepressible jangle-pop charm.