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Recent Articles by Justin F. Farrar

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  • City Pages

    "Governor No"

    Minnesota's Tim Pawlenty grooms himself for vice-presidential consideration--by being a jerk.

    By Jonathan Kaminsky

  • Miami New Times

    Day Strippers

    Our reporter sets out in search of a naked lunch.

    By Janine Zeitlin

  • Broward-Palm Beach New Times

    Switch Hitter

    Before swinging a bat in a lesbian softball league, pick a side: gay or straight?

    By Amy Guthrie

  • Village Voice

    Death in the Skies

    At JFK, Erhan Yildirim clears corpses for takeoff.

    By Elizabeth Dwoskin

Widespread Panic

Saturday, March 31, at Playhouse Square Center.

By Justin F. Farrar

Published on March 28, 2007

>In several issues of the now-defunct Arthur, ads announcing "The Black Crowes Love You" appeared -- ads that, incidentally, were knockoffs of the first Jefferson Airplane ads from '67. The Crowes weren't pushing anything in particular; they just wanted a piece of the freak-folk pie -- which made total sense. What's the big diff between indie kids turned hippie, hair-metal dudes turned hippie, and hardcore brutes turned hippie? Nothing save baggage, really.

The same can be said of Widespread Panic, a group from Athens, Georgia, that has wasted away in jam-band hell for nearly three decades now. Of course, that's partially the band's fault; along with Phish, Blues Traveler, and the Spin Doctors, they hitched a ride on the H.O.R.D.E. express, a scene that was anything but hippie. The Panic, however, has always been better than that. Starting with Space Wrangler, the group's debut from 1988, Widespread Panic has dedicated itself to fluid and at times heady southern-fried improv -- kinda like a lo-cal Allman Brothers Band or a jazzed-up Suntanama (depending on your baggage).

That's not only a compliment, but something that I wish more of these indie-hippie bands strove for . . . if only they had the chops.

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