Recent Articles

Recent Articles by Mike McGuirk

  • Enslaved

    Wednesday, November 14, at Peabody's.

  • Melt-Banana

    Friday, November 2, at the Grog Shop.

  • Suffocation

    With Immolation and Skinless. Sunday, October 28, at Peabody's

  • High on Fire

    Death Is This Communion (Relapse)

  • The Melvins

    With Big Business and A Purge of Dissidents (film). Saturday, September 29, at Peabody's.

National Features >

  • Houston Press

    A Dirty Picture

    What mainstream publishers don't want you to know about door-to-door magazine sales.

    By Craig Malisow

  • Riverfront Times

    Welcome to Cougar Heaven

    When these huntresses on are on the prowl, the prey very much wants to be caught.

    By Unreal

  • Broward-Palm Beach New Times

    Sweet Deal

    How rumored McCain veep choice Charlie Crist wants to bail out Big Sugar.

    By Bob Norman

  • SF Weekly

    All-American Girls

    Are Asian women getting their jawbones cut to look whiter?

    By Lauren Smiley

Melt-Banana

Friday, November 2, at the Grog Shop.

By Mike McGuirk

Published on October 31, 2007

Melt-Banana is hugely responsible for the reputation that Japanese bands have for their live shows going way over the top. After seeing this group in concert, it becomes difficult to accept anything less than total hair-raising insanity from anybody else onstage. While these noise punks have been together and steadily releasing albums, cassettes, and seven-inches since 1992, their legend was built on nonstop touring. Singer Yasuko O wails like a cartoon character from Planet Z, while guitarist Ichirou Agata drops more riffs than 10,000 Jimmy Pages. Agata also wrangles previously inconceivable noises from his guitar — lung-popping whip-its that are amplified to permanently damaging noise levels. Melt-Banana's latest album, Bambi's Dilemma, came out in April. While the howling scrape of its earlier records has been cleaned up a bit, Melt-Banana shows no backing off from its dedication to noise, punk, and noise punk. If anything, the friendlier sound makes listening to its frenetic attack a little less exhausting. Just don't expect any of that newfound gloss to make its way onstage.