Recent Articles

Recent Articles by Mark Keresman

  • Josh Hoge

    With Ernie Halter. Monday, June 9, at the Beachland Tavern.

  • Silver Jews

    Lookout Mountain, Lookout Sea (Drag City)

  • Jamie Lidell

    Jim (Warp)

  • Dave Cousins

    Friday, March 14, at the Winchester, Lakewood, and Saturday, March 15, at the Kent Stage, Kent.

  • She & Him

    Volume One (Merge)

National Features >

  • City Pages

    "Governor No"

    Minnesota's Tim Pawlenty grooms himself for vice-presidential consideration--by being a jerk.

    By Jonathan Kaminsky

  • Miami New Times

    Day Strippers

    Our reporter sets out in search of a naked lunch.

    By Janine Zeitlin

  • Broward-Palm Beach New Times

    Switch Hitter

    Before swinging a bat in a lesbian softball league, pick a side: gay or straight?

    By Amy Guthrie

  • Village Voice

    Death in the Skies

    At JFK, Erhan Yildirim clears corpses for takeoff.

    By Elizabeth Dwoskin

Monade

Monstre Cosmic (Too Pure)

By Mark Keresman

Published on February 27, 2008

On the surface, Stereolab singer Laetitia Sadier's side project sounds similar to her full-time band's Sergio-Mendes-meets-Philip-Glass space-age pop. But dig deeper, and you'll hear some differences. For one thing, Monade's Monstre Cosmic features more tempo variety, and the elegant use of instruments — gorgeous violins, shimmering vibes, and sighing slide guitar — provides subtle coloring. The wry, rapturous "Regarde" evokes both French horndog Serge Gainsbourg and Mingus-era Joni Mitchell, while the yearning "Invitation" finds Sadier tipping her fedora to early-'70s jazz-pop and Burt Bacharach's way-to-San-Jose horn arrangements. Monade accomplishes a very neat trick here, coming off classy and raw (the drums crack and thump, garage-band style), as well as progressive and retro. Plus, it's got a huge heart.