Blogs
Fri Jun 20, 10:19 AM
Fri Jun 20, 8:58 AM
Recent Articles
Recent Articles by Mark Keresman
With Ernie Halter. Monday, June 9, at the Beachland Tavern.
Lookout Mountain, Lookout Sea (Drag City)
Jim (Warp)
Friday, March 14, at the Winchester, Lakewood, and Saturday, March 15, at the Kent Stage, Kent.
Volume One (Merge)
No related articles found
National Features >
City Pages
Minnesota's Tim Pawlenty grooms himself for vice-presidential consideration--by being a jerk.
By Jonathan Kaminsky
Miami New Times
Our reporter sets out in search of a naked lunch.
By Janine Zeitlin
Broward-Palm Beach New Times
Before swinging a bat in a lesbian softball league, pick a side: gay or straight?
By Amy Guthrie
Village Voice
At JFK, Erhan Yildirim clears corpses for takeoff.
By Elizabeth Dwoskin
Monade
Monstre Cosmic (Too Pure)
Published on February 27, 2008
On the surface, Stereolab singer Laetitia Sadier's side project sounds similar to her full-time band's Sergio-Mendes-meets-Philip-Glass space-age pop. But dig deeper, and you'll hear some differences. For one thing, Monade's Monstre Cosmic features more tempo variety, and the elegant use of instruments — gorgeous violins, shimmering vibes, and sighing slide guitar — provides subtle coloring. The wry, rapturous "Regarde" evokes both French horndog Serge Gainsbourg and Mingus-era Joni Mitchell, while the yearning "Invitation" finds Sadier tipping her fedora to early-'70s jazz-pop and Burt Bacharach's way-to-San-Jose horn arrangements. Monade accomplishes a very neat trick here, coming off classy and raw (the drums crack and thump, garage-band style), as well as progressive and retro. Plus, it's got a huge heart.