Miracle at St. Anna
by Milan Paurich
Spike Lee’s wildly ambitious, two-and-a-half-hour-plus WW II epic has so many interesting elements (including the heretofore unexamined role of African-American soldiers who served in the 92nd Infantry’s Buffalo Soldiers division) that it’s a shame the movie feels so unfocused, digressive and needlessly cluttered. Adapted by author James McBride from his same-named novel, Lee’s film is part war flick set in 1944 Tuscany, part 1980s New York murder mystery, part travelogue and part maudlin tearjerker about the bond between a soldier (Omar Benson Miller) and the 7-year-old Italian waif (Matteo Sciabordi) he protects from harm’s way. A terrific cast
(including Joseph Gordon-Levitt, Derek Luke, Kerry Washington and John Turturro) tries valiantly to make an impression, but mostly gets lost amid all the noise, confusion and competing storylines. HH1/2
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