Ironically, as Keith has gotten more likable as a human being, his work has become less interesting musically; good-times cuts like "Get Drunk and Be Somebody" and the lovesick ballad-with-strings "A Little Too Late" offer dependable Music City pleasures, but nothing you can't easily find elsewhere. Still, Keith's live show remains one of Nashville's crowd-pleasingest. Who knows? He might even trick you into pumping your fist. Lindsay Haun, who just signed with Keith's label, opens.
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