At least it starts off right with "Get in Line" -- probably Hatfield's most emotive song to date. "I'm dying from a lack of love and affection/Get in line/I'm giving myself away," she seethes over dark guitar loops and a slight shuffle. A less serious, but equally fun "Dirty Dog" has Hatfield explaining, "You can flip me over from behind/That would be all right/But I'm not down with the dirty dog," in what her official bio describes as a song about, ahem, "personal boundaries."
Hatfield's real talent is to sound vulnerable while using her voice to cut through a mash of guitars, yet In Exile Deo spends most of its time on vocal mismatches like the draining "Tomorrow Never Comes" and the clumsy "Because We Love You." It's missteps like these that ultimately prove the album another frustrating waste of Hatfield's potential.