On the opening cut "Deus Ibi Est," Lanegan describes "God's own private drumroll" in gritty NFL Films tones, while Campbell's voice hovers above like an angel. Campbell's verses usually receive a noticeably sunnier backdrop than Lanegan's, and when the instrumental elements merge during the final refrains, it feels like a romantic reunion. The pair harmonizes effectively, but Broken Seas is at its best when Campbell and Lanegan isolate their contrasting approaches, role-playing as unrepentant player and sultry seductress (a wicked take on Hank Williams' "Ramblin' Man") or weary wooer and innocent invitee (the sweetly creepy "[Do You Wanna] Come Walk With Me?")