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The transition is akin to Glenn Danzig's leap from the Misfits to Samhain. On Nightbreed's debut demo, Terry favors a rueful yowl over his larynx-mincing growl of old. The ghostly rhythms, along with stabs of guitar as black as these dudes' nail polish, are enough to make rain clouds form over your speakers. This is pallbearer punk, culminating in the primal howl of "The Circle" and the haunting "Closing Off the Outside," where unsettling processed vocals and forbidding keys congeal into the sound of sorrow.