Tori Amos and Yoav play the State Theatre (1519 Euclid Avenue., Playhouse Square) 7:30 p.m. Thursday, November. Tickets are $42.50 ADV/$49.50 DOS, 216-241-6000.
Amos is supporting American Doll Posse, her best CD in years. It’s the piano-playing singer-songwriter’s 10th studio album - -if you count the record she made with Y Kant Tori Read, a cringe-inducing hair-rock band she formed in Los Angeles at the end of the '80s.
On the disc, Amos assumes the roles of a quartet of disparate women: Isabel (an indignant politico photographer), Clyde (a wounded soul-seeker), Pip (a fierce rubber enthusiast), and Santa (a glitzy sensualist). Together, they sing the album’s 23 songs. They also join Amos onstage.
In addition to a solo piano performance and a set with her backing band, Amos’ two-and-a-half-hour show includes appearances by Posse’s protagonists. Amos takes the stage dressed in character as one of the album’s other four girls, but we can’t tell you which one -- she doesn’t make up her mind until an hour before the show. But this really isn’t groundbreaking territory for Amos, who, after her autobiographical 1992 debut Little Earthquakes, began channeling different characters to sing her increasingly oblique songs.
Amos talked to Scene about her all her albums and the women who perform them.
Of the American Doll Posse characters, which is least like you?
“Well, it depends which day you catch me on. The least like me, the way I’ve known me all these years, would be Santa. That one was difficult, just because they’re all patterned after ancient female archetypes. She was patterned after Aphrodite. I use the Greek pantheon, as opposed to another one, because I thought people would be more familiar with it. Having to open myself up for Aphrodite’s myth and story, I had to do a lot of homework. And my impressions were not right: I thought she was a tart. After really immersing myself in her story, I began to see how she would use her sexuality, and how she was really comfortable with her body. She didn’t live a life of guilt where men decided how she felt about her physicality.” ...