Though it was released after the Whigs' breakup, at the time of its recording Twilight was still a side project for Dulli; follow-up Blackberry Belle, on the other hand, commanded his full attention. Stylistically, the record picks up where final Whigs album 1965 left off, drenching Dulli's fire-breathing vocals, swaggering guitars, and honeyed piano hooks in New Orleans-style jazz touches. But the real thrill is just having Dulli back in form: No other contemporary rock star can claim his combination of raw intelligence, raw sexuality, and raw emotion -- and in concert, delivered with panache, his songs have the power to save and destroy you at once.