“Before Woodward and Bernstein, before Glenn Greenwald, there was John W. Raper, a columnist for The Cleveland Press, who stumbled across something very odd while on vacation in New Mexico.”

That’s the hook to a terrific article by Atlantic editor Rebecca J. Rossen which chronicles the cause and effect scenarios of a Cleveland Press columnist who stumbled across a story of a lifetime while vacationing in the American southwest: The Manhattan Project.

We suggest you read it for yourself (look, here’s the link again), but we’ll give you a brief recap.

Ohio-native John W. Raper, or “Jack,” as he was commonly known among friends, happened upon the clandestine city of Los Alamos, a year and a half before the atomic bombs would rain on Japan. Had the story he wrote for The Cleveland Press in response to his findings, aptly titled “Forbidden City: Uncle Sam’s Mystery Town Directed by ‘2d Einstein,” reached the big leagues, this Ohio Jack could have single-handedly changed the course of history.

When the U.S. government got wind of his divulgences, however, they made sure he divulged no further and promptly squashed his report into a gooey pulp, an occurrence, Rossen thoughtfully notes, that speaks to a nearly foreign era of journalism- one that’s void of wildfire social platforms like Google and Twitter and ensnared with terms like “voluntary censorship.”

Roseen goes on to quote nuclear historian Alex Wellerstein who explains, “The main difference between the media situation today and the media situation of the past is that in the 1940s you actually could often geographically limit the impact of an article. That is, something coming out in a local or regional media source could be prevented from circulation and syndication, after the fact.”

And with the The Manhattan Project, censors did this quite vigorously, Wellerstein points out.

It’s an interesting quandary to consider: one one hand there are issues of free speech and the general public’s right, particularly about an operation that’s so pervasive. On the other hand, the entire outcome of the war would have been different.

What are your thoughts? Was this example of period government censorship “for the greater good?” In what ways is the current state of the media better or worse?

Alaina Nutile is the Web Editor who oversees all digital content and social media initiatives for Cleveland Scene Magazine and Detroit Metro Times. Before joining the staff in June 2013, she interned at Business Insider in New York City, and at La Hora in Quito, Ecuador. Alaina is a graduate of Kalamazoo College in Michigan, where she double majored in English and Spanish. Her interests include Japanese food, Breaking Bad, and career development advising.

One reply on “A Cleveland Press Columnist Broke the News of the Manhattan Project in 1944 Before His Story Was Squashed by Government Censorship”

  1. Back then, it was so much easier to censor or squash reports before they really got out and became worldwide news. Today, with the Internet and how connected everyone on the planet is, it’s almost impossible to stop an article like this from becoming huge news all over. The crazy part is, the current state of the media today is better and worse at the same time. The connectivity and ability for everyone to be informed is amazing, but bringing full attention to things that, if left secret, would give us a military or combat advantage, isn’t as good. I’m sure that the government squashed the report back then because it was doing so for the greater good. No one would have benefited from an invasion of Japan, the sheer number of lives that would have been lost on both sides would have been astounding. Bottom line, although I’m not jumping up and down that something like this was censored, I would still say that looking back it appears to have been the right decision at the time (or at least doing so didn’t set us back or ruin things).

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