Over a sea of fairly cheesy beats, Bédard merges lush melodies and a stream of forgettable guest vocalists, including members of M83, Stars, and Final Fantasy. On several tracks he tries to sound edgy, peppering simple pop tunes with annoying glitch tricks. But the two extremes clash miserably. Meanwhile, “No One Else” and “Hands Off, Creature!” sound identical in the process of ripping off Air.
A letdown for fans of Bédard’s usual work, the disc’s sole high point is the title track, an ingenious experiment in which Bédard collaborated with nearly 70 artists from around the world. After posting an open call for samples, he built a quirky symphony from the submissions. But the track doesn’t change this sad fact: Going Places is music for napping.
This article appears in Jul 25-31, 2007.


I don’t get it. Montag is way more interesting with this new record, more engaging and poppier than his previous stuff… I can’t hear any Air in “No One Else” either. The beats are not cheesy: they’re mostly real drums which makes the album so much warmer than most electronic music records out there. I really don’t think he overdid it with the production, it’s really unique sounding… maybe you should listen to it again?