Bill Gallo

Taking on Edith Wharton, The X-Files‘ Gillian Anderson gives a dazzling star performance.

Dutiful if not particularly insightful, Pollock splatters the painter’s life on the screen’s canvas.

Save the Last Dance is MTV’s happier Romeo and Juliet.

State and Main levels New England, leaving a memorable satire of Hollywood in its wake.

You Can Count on Me starts small, but works its way up.

Too many shocks numb the senses in Martin Campbell’s mountain-climbing thriller.

Aronofsky’s follow-up to Pi is a brutal personal movie about the horrors of drug addiction.

Expect a bit of schmaltz and a lot of inspiration from the sweet comedy Billy Elliot.

Woman on Top doesn’t know when to stop.

Spike Lee takes a fresh and gloriously unpolished look at black stand-up talent