Luke Y. Thompson

Undertow relishes the pain and beauty of a reclusive southern family.

For sheer carnage, Saw shreds the competition.

Team America takes no prisoners and spares no swear words.

The sequel to Ghost in the Shell is a feast for the eyes, but a disappointment for the brain.

Shaun of the Dead revives the zombie comedy with a U.K. twist.

A PG-13 rating squeezes the life out of Anacondas.

Open Water delivers more flaws than jaws.

Men deceive and women manipulate in Intimate settings.

Everybody loves Colin in A Home at the End of the World.

I, Robot owes little to Asimov and much to prior sci-fi cinema.

There’s no magic in this Cinderella Story.

Robert gets kidnapped in Pieter Jan Brugge’s surprisingly smart The Clearing.