Robert Wilonsky

A man’s last day of freedom becomes Spike’s meditation on 9-11.

If being Charlie Kaufman is no fun, watching Charlie Kaufman is a real drag.

The best films of 2002 featured plenty of Sad White Guys.

Nicholson disappears into a wondrous movie about quiet desperation.

Spielberg, once more, is caught up in the thrill of the chase.

As a maid, Lopez really puts the “back” in backlash.

At long last, the spotlight replaces the Shadows that obscured the Funk Brothers.