Movies

Arthur Miller fixes his Focus on prejudice in 1940s Brooklyn.

David Mamet plots and schemes, then blows his own Heist.

Jack keeps the Farrellys from drowning in the Shallow end.

Billy Bob doesn’t say much, but he’s the perfect Man for the Coens’ con job.

Monsters, Inc. opens the door to a world so good, it’s scary.

Travolta’s performance can’t overcome the horror of this evil-stepfather cliché.

Ernest Dickerson digs up an undead Snoop Dogg and every horror cliché he can find.

Our Song fills the streets of New York with hot, sweaty rhythm.