The foursome gets the funk out on “Lucky Boy,” as McFalls pays tribute to his father and son over acoustic guitars and bongos. (The song’s lyrics aren’t nearly as lame as the idea suggests.) “After Hours” is a real rocker that showcases the band’s most valuable player, bassist Jordan Kelly, whose tasteful slaps and melodic runs are the backbone of the EP and merit a listen on their own. While a bit derivative, I Believe in Me is well executed, proving that there’s nothing keeping California alt-rock from migrating to Cleveland.
This article appears in Apr 5-11, 2006.

