Regardless of who and how many are playing around him, Pierce’s best ensembles work in a shamanist fashion, escorting the attendees through grandiose up-river voyages into the heart of sonic darkness and back again. (At worst, they’re a loud Low, with Spectorian approximations of T. Rex hooks.) If comparisons are needed, it’s in the Pink Floyd-meets-Sonic Youth airs, but one needn’t have a pretentious bone to enjoy what Pierce wants to lay down. Cut through the bullshit accoutrements, and “Medication,” “Stop Your Crying,” “Come Together,” and a half-dozen others sound like majestic space-pop songs, without the new wave tendencies. That said, boredom will factor in only if your THC level is low, so smoke ’em if you got ’em.
This article appears in May 2-8, 2002.

