Stage Archives

Paint-by-Numbers

Art forgery meets counterfeit theatricality in Ensemble’s Credeaux Canvas.

Shakespeare’s stage treasures are affectionately mocked at Weathervane.

Beck Center’s La Cage aux Folles awkwardly impersonates females and France.

The Full Monty has fun with the body images of men.

Reuben Silver elevates family struggles in JCC’s The Chosen.

Great Lakes shines with Shaw’s witty wartime clash.

Red Hen undresses Barbie in Body Outlaws‘ feminist monologues.

Dobama’s politically misplaced In the Blood crackles with superior performances.

The Play House’s Jekyll and Hyde looks great, but the script fizzles.

The agony of stillbirth turns eloquent in David Hansen’s I Hate This.

Playhouse Square’s rousing 42nd Street is paved with dreams, divas, and a blur of tap shoes.

Six Degrees of Separation soars at Kennedy’s.