With a cast that includes Ed Asner as Santa Claus and Bob Newhart as the elf who adopts a human infant and raises him as one of Santa's little helpers, Elf has the feel of a CBS-TV reunion movie; just where are Dick Van Dyke and Angela Lansbury? Certainly, Elf's as inoffensive as prime-time programming; it's as cheery, too -- a feel-good fairy tale with more happy endings than a back-alley massage parlor. Not even Amy Sedaris, Andy Richter, and Tenacious D'er Kyle Gass, as employees of a publisher of children's books, can subvert the wholesomeness. Along with Upright Citizen Brigade's Matt Walsh (playing, uh, himself), they're pranksters at a 5-year-old's birthday party, throwing water balloons and pretending they're hand grenades.
Ferrell, recently seen streaking down Main Street on an Old School bender, spends the entirety of Elf in green tights and a pointy hat; it's his commitment to the costume this time that's truly amazing, transforming what could have been a sketch into something a wee bit more substantial. (The dude has silver balls.) Ferrell plays Buddy, a human among elves, who eats nothing but candy and can't understand why he doesn't fit in the shower or on Bob Newhart's lap. He's as oblivious as he is useless, too big to build toys or make shoes, which leaves him nothing else to do except change the batteries in the fire detector and test defective toys. Still, it comes as a shock when he discovers he's not an elf at all, but a human whose daddy (James Caan) lives in New York City -- and is on the naughty list to boot. So off he goes to Manhattan, where, Santa warns him, "A peep show doesn't mean they're letting you look at the presents early."
Favreau, maker of Made and reformed Swinger, has created a bizarro fantasy world in which the North Pole's populated by talking snowmen and animated penguins; says Leon the Snowman, voiced by Leon Redbone, "I was just rolled up and left out here." It's the kind of kiddie wonderland Henry Selick, of The Nightmare Before Christmas, would love -- a brightly lit fantasia, in which dark things lie just beneath snow-covered surfaces. And it feels more real than New York City, where Gimbel's is still open for business and evil cops live in a Central Park castle and ride through the night like headless horsemen hunting stray reindeer. It's also a place where Zooey Deschanel (Almost Famous, The Good Girl) doesn't mind terribly much to find Buddy in the women's bathroom, accompanying her in a duet while she takes a shower; she's peeved enough to go out with him, after all.
There's nothing at all adventurous about Elf; it couldn't be more formulaic if it were cooked up in a chemistry lab. It goes for the obvious and lingers occasionally too long, never more so than when The Station Agent's Peter Dinklage shows up as a mean children's book writer and Buddy keeps referring to him as an elf, which sends the small man into an enormous, violent fit of rage. Elf is like Buddy himself, on a sugar high where everything seems enormously funny and sends everyone into fits of giggling and snorting. Elf plays too often like a first-timer's screenplay, because it is: David Berenbaum sold it on spec and now finds himself polishing off old Disney product (Haunted Mansion, The Love Bug) to sell for the holidays.
You can, of course, see the ending climbing down the chimney well before Christmas Eve: Santa's sleigh can't fly without a full supply of Christmas cheer, and Caan, as Buddy's biological father and a cynical publisher of books for the very children he can't seem to stomach, is the consummate Grinch. Will Buddy thaw his father's little black heart in time to propel Santa 'round the world? And will his daddy find a hit book in all this holiday fa-la-la? Do reindeers crap in the woods?
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