Charles Yannopoulos

Painting is supposed to be a dead medium, but don’t tell these artists.

Trash is elevated to new heights in this Cleveland Institute of Art exhibit.

Photographs of the French upper class in the 1920s capture the emotions behind an elegant facade.

Ken Coon takes a break from Cleveland images to explore the peaks and valleys of Americana.

A sculptor uses glass and other common materials to explore the mysteries of memory.

Mediocre photos offer nice views but no window into the soul of a grand city.

Contemporary artists defy attempts to paint them into a corner.

CMA showcases a celebrated family’s talent for merging function and aesthetics.

Silenced Voices stands tall against tyranny, but lacks artistic legs.

In Douglas Lucak’s pinhole photographs, Slavic Village is a moody, distorted world.

Linda McCartney’s photos do little beyond documenting some of the decade’s biggest musical stars.

Modern masters transcend the savagery and senselessness of the last 100 years.