Posted inMovies
In The Holdovers, Alexander Payne Reunites With Paul Giamatti for a Terrific Take on a Trio of Misfits
Set in 1970, the film consciously emulates the best of that decade’s cinema
Cliff Froehlich
Posted inMovies
In Killers of the Flower Moon, Martin Scorcese Delivers a Triumphant Western That Privileges the Native American Perspective
A trip through a dark chapter of America, where white “suitors” plotted to marry and then kill Osage women to gain oil headrights
Posted inMovies
Review: In A Haunting in Venice, Kenneth Branagh Takes a Liberal Hand With Agatha Christie’s Work
Poirot must both ferret out the killer and grapple with increasing self-doubt about his rationalist worldview
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Landscape With Invisible Hand Envisions Alien Invasion as a Corporate Takeover
An ambitious, unpredictable, funny and flawed film worth seeing
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‘Oppenheimer’ Does Something All Too Rare in Hollywood: It Trusts Its Audience
The film neither heroicizes nor sanctifies the man
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In ‘Asteroid City,’ Wes Anderson Stages an Alien Invasion as Only Wes Anderson Can
Think Rushmore meets Roswell
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Paul Schrader Brings Cinema Another Agonized Hero in Master Gardener — and Shows He’s Still in Command
The garden of good and evil