Gary Hodges

Prologue is a tantalizing — and overpriced — glimpse at the next Gran Turismo.

Atlus’ Baroque imagines eternal life in gaming limbo. It isn’t pretty.

Viking: Battle for Asgard shows promise, but not much more.

Who said first-person games need a second person?

Patapon marches to the same damned drummer, over and over again.

Words get in the way of an otherwise stellar Lost Odyssey.

No More Heroes is hip, bloody, and indispensable.

No amount of sharpening can save this dull blade.

Unreal Tournament III blasts new holes in old terrain.