Recent Articles

Recent Articles by Mike McGuirk

  • Enslaved

    Wednesday, November 14, at Peabody's.

  • Melt-Banana

    Friday, November 2, at the Grog Shop.

  • Suffocation

    With Immolation and Skinless. Sunday, October 28, at Peabody's

  • High on Fire

    Death Is This Communion (Relapse)

  • The Melvins

    With Big Business and A Purge of Dissidents (film). Saturday, September 29, at Peabody's.

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Suffocation

With Immolation and Skinless. Sunday, October 28, at Peabody's

By Mike McGuirk

Published on October 24, 2007

Between 1990 and '98, Suffocation was a primary force in what is now called "brutal death metal," a movement spawned because "regular" death metal wasn't brutal enough.

That's a concept non-fans will have a hard time grasping, but here's why Suffocation is important: Beginning with its 1991 album Effigy of the Forgotten, released on Roadrunner, the group took death metal to new extremes in technical mastery. Suffocation's playing literally pushed back man's physical barriers. Part of a burgeoning death-metal scene in New York as well as a nationwide technical-metal movement along with Immolation, Gorguts, and main architects Morbid Angel, Suffocation was seen as unique in that two of its members, guitarist Terrance Hobbs and drummer Mike Smith, were African Americans. That's a rarity in metal circles even today.

After a hiatus between 1998 and '04, Suffocation restarted touring and recording. Its latest is a 2006 self-titled disc for the Relapse imprint.

Folks unfamiliar with Suffocation's sonic fury can expect unspeakably low (even by death-metal standards) Cookie Monster vocals, the chunky riffage of grindcore (minus any hardcore trappings), and swirling leads that burst from rhythm breaks like 60 rounds per second from a blazing M240. The band also does a positively enchanting cover of the "Top Gun Anthem."