The guy was singing his heart out and no one gave a shit. At least that’s what Caamp frontman Taylor Meier accused his Beachland Ballroom audience of last month. The Ohio folk-rock three-piece has such a strong local following that they sold out back-to-back shows. But when Meier started in on a beautiful new acoustic solo during the first concert, people in the back started talking loudly.

“You all can go fuck yourselves,” Meier said when he finished the song, visibly shaken. The diehards up front tried to cheer him up, but he never quite recovered. He ran off the stage following a short encore, presumably to pout.

The incident, while handled immaturely by the artist, shows just how terrible Cleveland audiences can be, even to bands they profess to love.

If you’re at a bar where live music is supposed to be background noise, that’s one thing; but during a big show, especially during the quiet moments, it’s time to shut your piehole.

The Agora, with its bar in the back, is another spot where concertgoers will yammer on through whole sets. Multiple recent Scene concert reviews have noted how rude audience members there can be. This reflects poorly on our city and does not make artists want to come back our way (making every music booker’s job in this town that much harder).

Arguments can be made that a person who spent significant dough on a ticket should be able to do whatever they want at a show, as it’s their money and their time. But the people around you spent money, too, and they don’t care about your workday or your boy drama; they came to see a musician who at some point meant something to them.

So how can we as audience members do better? It comes down to this: Music is for listening and dancing and jumping and yelling along to, not talking over. Follow these guidelines and we’ll all have a great time.

—Laura Morrison

Scene's award-winning newsroom oftentimes collaborates on articles and projects. Stories under this byline are group efforts.

5 replies on “Worst of Cleveland: Talkative Concertgoers”

  1. All the people at big Cleveland concerts suck – they yell at you entitled if you even walk in front of them for a second – at least at those big money clubs – go to the Beachland where they respect music or the House of Swing – you are covering the wrong concerts

  2. The problem isn’t the audience…in the 70’s, you had to practically yell into someone’s ear to be heard in the audience because the music was at a good powerful level…concerts these days are at such a low volume you can hear “EVERYTHING” going on louder than the band. Turn the volume back up to a good powerful level, not ear splitting but loud enough to drown out the idiots like they used to do. The acoustic thing at the Beachland is a little different…that you can blame on the few idiots who didn’t care about the artist, the other audience members or the music.

  3. I agree with the author… there is a big difference between a few comments and having a full blown conversation. Turn up the Volume Sound Man…and make sure it sounds good–and everyone needs to learn to be “respectful” when an artist is there playing for ya…either move to the bar and have a chat or SHTF up!

  4. that dude from Caamp is a huge entitled dickwad though. So this pretty much just confirms it

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