Lerche maintains the charms of Faces on Two Way Monologue, but the progression of his sound rivals the scrawny-geek-to-hot-hunk summer transformations rampant in adolescence. Monologue bursts with self-assurance: Warm, jangling riffs slide seamlessly into game-show-tacky synths on "On the Tower," electro bloops undermine the folksy gallop of the title track, and schmaltzy, waltzing strings match his lounge-singer-sans-smarm vocals on "It's Too Late." His debt to lush songwriters like Burt Bacharach is obvious -- and it's certainly not coincidental that "Wet Ground" rhymes with Pet Sounds -- but Lerche's guileless lyrical honesty trumps these comparisons.