On their best songs ("Recovering the Opposable Thumb," "Key to the City," "Beyond the Embarrassing Style"), Lawrence Arms display midwestern punk that recalls a screws-tightened thrashing of the Magnolias and Soul Asylum, six-pack paladins of late-'80s Minneapolis.
The titles, lyrics, and nifty production tricks (faraway vocal openings, odd stopgaps) in songs like "Great Lakes/Great Escapes," "Old Dogs Never Die," and "Jumping the Shark" show a wish to move away from the group's accustomed genre while retaining bottomless tanks of energy that impel them on.